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CJ wrote songs for 25 years and never had the courage to chase the artists he hoped would record them. AI didn't write the songs — it gave him the nerve to finally release them.
Most "AI music" stories are about a single voice. CJ built five distinct artists, each with their own genre, persona, and visual identity.
CJ records process videos on green screen, walking viewers through how each song was built. Not AI-as-magic-trick — AI-as-transparent-tool, with the human visible in the work.
Country, blues, rock, soul, pop — one songwriter via AI. "Halfway There" exists in four versions on Spotify, same lyric, four entirely different songs.
CJ streams the catalog publicly and explicitly positions it as a portfolio for licensing to real artists. AI as audition tape, not as competition.
Pre-written quotes from CJ — ready to drop into any article.
CJ produces full AI-generated music videos for the songs in the catalog. Several feature him on green screen, walking viewers through how each track was built — from lyric, to voice, to final cut. The videos are designed to make the project transparent rather than anonymous.
Including multiple artist versions of "Halfway There," "Someday Just Ain't My Time," "Under Them Covers," "Might Be Ready To Believe," and a preview of "Heavy Questions."
The process videos are a deliberate move against the "AI slop" criticism — CJ shows his face, his desk, and his workflow so the project reads as a documented practice, not a one-click novelty.
Journalists can grab embed codes directly. CJ's YouTube channel or the full library at cjtuttle.com/videos.
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Interviews, features, podcasts, sync opportunities. CJ responds personally to every legitimate press inquiry.